Fiction | Intensive

4-Week Fiction Intensive: Finish That Short Story

Do you have an idea for a short story, but aren't sure how to execute it? Have you been tooling around with the same short story for months? Years? No matter what stage of the writing process you're in, this class will speed it up, moving you from generating to revising to line editing to submitting your story for publication within the course of four weeks.

Students can expect weekly writing exercises, readings from contemporary short story writers, the opportunity to be workshopped, and a one-on-one meeting with the instructor to discuss your short story (or stories!). You’ll come away with one finished, submission-ready short story.

COURSE TAKEAWAYS:

- A stronger grasp on the building blocks of short fiction

- A keener editorial eye that will help you to revise your own work more effectively after our class ends

- One fifteen-minute conference with Mandy to discuss your short fiction, including advice on publications, literary journals, and contests

- Access to Catapult's list of writing opportunities and important submission deadlines, as well as a 10% discount on all future Catapult classes

Mandy Berman

Mandy Berman is the author of Perennials and The Learning Curve. Perennials was a Barnes & Noble Discover Pick of 2017 and named as Best Book of Summer 2017 by Vanity Fair, ELLE, Houston Chronicle, Newsday, and Redbook, among many others. Both novels have been reviewed by dozens of outlets, including The New York Times Book Review, The New Yorker, and Kirkus Reviews. Her nonfiction writing has been published in The New York Times, TIME, Literary Hub, Poets & Writers, and elsewhere. She lives in the Hudson Valley.

Testimonials

“Berman’s debut, a winning, keenly observed, and clear-eyed novel set in a summer camp, captures the age when fierce attachments forged over years begin to unravel, passionate female friendships give way to sex, and identity seems to shift with the tides.”

Elissa Schappell author of BLUEPRINTS FOR BUILDING BETTER GIRLS

“Do you remember that youthful summer when ‘everything changed’? Mandy Berman sure does and her wonderful novel is a snapshot of that time and the group of young women who are irrevocably changed by it. PERENNIALS manages to be warm and loving and still wallop you with moments of shock and pain. What an exciting debut.”

Victor LaValle author of THE CHANGELING

“Snappy and irresistible, Berman’s debut novel, PERENNIALS, takes readers back to summer camp, where her characters’ first friendships and treasons play out in sharp dialogue and playful, generous prose. Berman fearlessly renders youth and adulthood alike, in sentences you’ll want to savor.”

Kristopher Jansma author of WHY WE CAME TO THE CITY

“Mandy Berman explores an old trope: the magic of summer camp, a place separate from the rest of your life where you can become a slightly different version of yourself, a place where friendships run impossibly deep and romance and sex are innocent. But what happens when that divide begins to crumble, and real life, in all its moral ambiguity, finds its way to the heart of a halcyon summer? Lucid, psychologically nuanced, and great fun to read, PERENNIALS has taken an old subject and made it new.”

Rufi Thorpe author of DEAR FANG, WITH LOVE and THE GIRLS FROM CORONA DEL MAR

“Mandy Berman has remade the American summer camp narrative, ditching the usual clichés and getting in close with her characters and their various states of emotional and economic precariousness. PERENNIALS is a sharp, crushingly observant, and empathetic debut, full of wit and tragedy, and good for all seasons.”

Sam Lipsyte author of THE FUN PARTS and THE ASK

“Berman is at her most insightful when exploring the awkward unfurling of female adolescence. . . PERENNIALS is a sharp meditation on the changing female body, and the ways in which such changes are often involuntary and unwanted."

J. Courtney Sullivan THE NEW YORK TIMES BOOK REVIEW

"Mandy is a thoughtful writer and teacher who will help you improve your story by offering insightful feedback about the story that you want to write (as opposed to the story that someone else thinks you should write). She supports the development of your voice by emphasizing various aspects of creative writing that will strengthen your work. "

former student

"Mandy Berman is an exceptional teacher, plain and simple. When discussing readings, she expertly communicates what the writer is doing beneath the text, and when analyzing her students' writings, she provides crucial insights and shows opportunities for growth."

former student

"Mandy was very passionate about storytellers... She led a lot from her passion and skills. How those two things were fused together gave the class a sense of organic enthusiasm. It was not a burden, a paycheck or a interruption. I got the sense [Mandy] was like a coach or a drill sergeant who loves players or soldiers and who helps to bring people along because she saw the need for more voices to pipe up. Sometimes I found myself thinking, 'maybe she is trying to get the stories she wants out of us because she enjoys them.' The way she read and talked about the voices in the room showed she had a keen sense of where people wanted to take their stories and what kind of writers they wanted to be and could be. How she led the discussion was perfect, sometimes prompting and then stepping back or vice versa when needed. She had very good rhythm with this."

former student

"Mandy was an excellent teacher—composed, insightful, and patient. She supported my work while challenging me to improve my writing. I highly recommend any class or workshop she is leading."

former student

"Mandy is a deeply generous teacher and editor. She provides thorough and detailed feedback that gets to the heart of a story, and illuminates both its strengths and weaknesses with great compassion and care. I felt totally encouraged by her honest and specific notes, and left every workshop inspired to develop my projects with more confidence in my writing. Her class made me not only a better writer, but a better editor of work in general, whether it’s my peers’ stories or my own."

former student