Of Mufflers and Men: A Comic
Adapted and reinvented and reborn—not venerated, but persistent, present, iconic. Is this such a bad fate?
This is Curiosity Americana, a column in which Shing Yin Khor explores icons, roadside attractions, and various objects of Americana as part of their effort to find and assert their place as an immigrant within this country’s mythos.
Shing Yin Khor is a cartoonist and installation artist exploring collections, memory, immigrant identity, and new human rituals. They founded the immersive installation art group Three Eyed Rat, which has built large-scale space desert apothecaries, decrepit space salvage stations in the forest, and lumberjack-themed bars.
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Why I Love Airports: A Comic
In airports, I have never been a resident alien; I am a traveler, just like everyone else.
I Do Not Want to Write Today: A Comic
I don’t want to write today. I don’t want to write about violence today. I don’t want to write about honor or duty or respect today.
How Did Chop Suey Become a Staple of Chinese American Cuisine?
The authenticity of chop suey was always the authenticity of survival, of adaptation. And so, like generations of Chinese Americans, chop suey stayed.
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Stone Fruit Season: A Comic
Yes, I dared to eat a peach. And I had to live, so I could eat another.
Lessons On Diasporic Identity from Meme Culture
There was something mutually exclusive about being either an eldest immigrant daughter or a normal, well-adjusted adult.
Kurt Cobain Pushed the Boundaries of Gender and Made Room for Us All
Nirvana took every step to sand the edges of rock’s obsessive relationship with toxic masculinity.
