No One Should Have to Ignore Their Grief, Yet It’s Long Been Expected of People of Color
For our communities, those missing and murdered, caged and dying, are not distant examples, invisible, or forgotten. They are our family and friends.
This is Exit Interviews, a column by Nadia Owusu on the experiences of women of color in the workplace.
Despite living in New York—the epicenter of the Covid-19 outbreak in the US—much of my weekday morning routine is the same as it was before: I wake to an alarm, snooze for fifteen minutes, exercise, meditate, read a poem, shower, and dress. I eat eggs on toast and drink coffee. But instead of a ten-minute walk to the subway and forty minutes or so on the A and F trains, my commute has been reduced to just nine steps—from my kitchen table to my home office.
the current moment. This crisis, is laying bare inequities. the work of social justice organizations is more urgent than ever
laid bare
inappropriate unprofessional.
are
TheNew York Times
professional
We tried to tell youI am sorry you now know how this feels.
in thecurrent moment,
leave it at the doorI am trying to understand.
NADIA OWUSU is a Ghanaian and Armenian-American writer and urbanist. Her first book, Aftershocks, topped many best book of the year lists, including Vulture, TIME, Esquire, and the BBC. It was a New York Times Book Review Editor’s Choice.
Nadia is the recipient of a 2019 Whiting Award. Her writing has appeared or is forthcoming in The New York Times, The Guardian, The Wall Street Journal, Slate, Bon Appétit, Travel + Leisure, and others.
She is Director of Storytelling at Frontline Solutions, a Black-owned consulting firm working with social change organizations. She lives in Brooklyn.
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The bento lunches the hoikuen expected mothers to produce were an exercise in artistry. But I didn’t care about making the perfect bento.
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You can turn almost nothing but kimchi and liquid into something vibrant and nourishing to eat—something that everyone seems to want right now.
To All the Coffeeshops I’ve Called Home
I drove past the third places that I’d grown up in and, through the eyes of an adult, saw a person shaped by spaces that are in-between.